Salsa desde mi balcón: Relatos y alegatos de un melómano. Newark and Santo Domingo: Roherma Ediciones, 2019. Philadelphia: Temple University Press, 1995. Caribbean Currents: Caribbean Music from Rumba to Reggae. San Juan, P.R.: Banco Popular de Puerto Rico, 1983. New York and the international sound of Latin music, 1940-1990. Jackson: Unversity Press of Mississippi, 2021. Santo Domingo: Funglode, Fundación Global Democracia y Desarrollo, 2018. Santo Domingo: Secretaría de Estado de Educación, Bellas Artes, y Cultos, 1995. Por amor al arte: Notas sobre música, compositores e intérpretes dominicanos. Chicago and London: The University of Chicago Press, 2016. Tigers of a Different Stripe: Performing Gender in Dominican Music. Antonio Mesa: y, Cuatro artículos sobre la música en Rep.

Nyack, New York: African Diaspora Press, 2013. Baila!: A Bibliographic Guide to Afro-Latin Dance Musics from Mambo to Salsa. Los sonidos y el tiempo: Las memorias de Carlos Piantini (primera parte). Hip Hop around the World: An Encyclopedia. Goldsmith, Melissa Ursula Dawn and Anthony J. Oxford New York: Oxford University Press, 2016. Salsa Rising: New York Latin Music of the Sixties Generation. All Hopped Up and Ready to Go: Music from the Streets of New York, 1927-77. Petersburg, FL: Pillar Publications, 1994.įletcher, Tony. Encyclopedia of Latin American Music in New York. Lanham, Md.: Scarecrow Press, 2002.įigueroa, Frank M. Latin American Classical Composers: A Biographical Dictionary. Santo Domingo: Secretaría de Estado de Educación, Bellas Artes y Cultos de la República Dominicana, 1994.įicher, Miguel, Martha Furman Schleifer, and John M. Santo Domingo: Editorial Seña, 2011.Įl álbum de Eduardo Brito. Rumbas barriales: Aproximaciones al análisis del merengue “de calle”. Santo Domingo: Banco Antillano, 1989.ĭíaz, Rossy. República Dominicana: s.n., 2019.ĭel Castillo, José and Manuel A. El Primer Bachatero Del Mundo: Calderón. Washington, DC: Pan-American Union, 1949.Ĭontreras, Marivell and José M. Music and Musicians of the Dominican Republic: A Survey. Joseíto Mateo: (el rey del merengue): vida y obra de un gran artista popular dominicano: entrevistas 1996-1997 en Nueva York. Santo Domingo: Editorial Santuario, 2019.Ĭoopersmith, Jacob Maurice. Santo Domingo: Universidad Autónoma de Santo Domingo, 1987.Ĭéspedes, Diógenes. El merengue y la realidad existencial del hombre dominicano. Philadelphia, PA: Temple University Press, 1997.īrito Ureña, Luis Manuel. Merengue: Dominican Music and Dominican Identity. Middletown, CT: Wesleyan University Press, 2005.Īusterlitz, Paul. Jazz Consciousness: Music, Race, and Humanity. New York: CUNY Dominican Studies Institute, 2022.Īusterlitz, Paul.

Jefferson, North Carolina: McFarland & Company, 2017.Īusterlitz, Paul. Stars of '90s Dance Pop: 29 Hitmakers Discuss their Careers. Santo Domingo: Taller, 1975.Īrena, James. De música y orquestas bailables dominicanas: 1910-1959. Santo Domingo: Editora de Santo Domingo, 1983.Īlberti, Luis. Dissertations, MA thesis, as well as journal, newspaper and magazine articles dealing with the history of Dominican music in the United States organized by format and in alphabetical order.Īlberti, Luis. This comprehensive bibliography includes books, book chapters, Ph.D. Tú Querías Boogaloo?.Comprehensive Bibliography: A History of Dominican Music in the U.S.On the album, Montañez dueted with Queen on a rerecording of his 1988 hit, 'Casi Te Envidio'. The album was split into four separate albums, one being an album composed entirely of only salsa music.

In 2015, Montañez appeared on Puerto Rican singer Ivy Queen's ninth studio album Vendetta. Montañez was selected to form part of a benefit concert titled “Somos Haití”., where funds would be gathered to support Haiti after the 2008 hurricane season. On November 2, 2006, Montañez won his first Latin Grammy for Best Traditional Tropical Album, together with Pablo Milanés. In 2007 he filmed various television advertisements on nutrition for the Puerto Rico Department of Family Affairs (including one in which he sang a rhumba to a dancing carrot). In April 2006 he released a new album titled Salsatón - Salsa con Reggaetón which was produced by Sergio George and featured reggaeton rappers Daddy Yankee, Julio Voltio, La Sista, and John Eric. By 2005-06 he began creating a new blend between salsa and reggaeton, called salsaton. In recent years he had teamed up with fellow salsa singer Ismael Miranda to produce some boleros and bohemian music.

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